It is the final sign of imbecility in a people that it calls cats dogs and describes the sun as the moon -— and is very particular about the preciseness of these pseudonyms.
— A Miscellany of Men (1912).
“You ought to publish it”
In matters of truth the fact that you don’t want to publish something is, nine times out of ten, a proof that you ought to publish it.
— A Miscellany of Men (1912).
“Masters of their own lives”
Self-government arose among men (probably among the primitive men, certainly among the ancients) out of an idea which seems now too simple to be understood. The notion of self-government was not (as many modern friends and foes of it seem to think) the notion that the ordinary citizen is to be consulted as one consults an Encyclopaedia. He is not there to be asked a lot of fancy questions, to see how he answers them. He and his fellows are to be, within reasonable human limits, masters of their own lives. They shall decide whether they shall be men of the oar or the wheel, of the spade or the spear. The men of the valley shall settle whether the valley shall be devastated for coal or covered with corn and vines; the men of the town shall decide whether it shall be hoary with thatches or splendid with spires. Of their own nature and instinct they shall gather under a patriarchal chief or debate in a political market-place. And in case the word “man” be misunderstood, I may remark that in this moral atmosphere, this original soul of self-government, the women always have quite as much influence as the men. But in modern England neither the men nor the women have any influence at all. In this primary matter, the moulding of the landscape, the creation of a mode of life, the people are utterly impotent. They stand and stare at imperial and economic processes going on, as they might stare at the Lord Mayor’s Show.
— A Miscellany of Men (1912).
“They like each other”
There is no kind of comparison possible between a quarrel of man and woman (however right the woman may be) and the other quarrels of slave and master, of rich and poor, or of patriot and invader, with which the Suffragists deluge us every day. The difference is as plain as noon; these other alien groups never came into contact until they came into collision. Races and ranks began with battle, even if they afterwards melted into amity. But the very first fact about the sexes is that they like each other. They seek each other: and awful as are the sins and sorrows that often come of their mating, it was not such things that made them meet. It is utterly astounding to note the way in which modern writers and talkers miss this plain, wide, and overwhelming fact: one would suppose woman a victim and nothing else. By this account ideal, emancipated woman has, age after age, been knocked silly with a stone axe. But really there is no fact to show that ideal, emancipated woman was ever knocked silly; except the fact that she is silly. And that might have arisen in so many other ways. Real responsible woman has never been silly; and any one wishing to knock her would be wise (like the streetboys) to knock and run away. It is ultimately idiotic to compare this prehistoric participation with any royalties or rebellions. Genuine royalties wish to crush rebellions. Genuine rebels wish to destroy kings. The sexes cannot wish to abolish each other; and if we allow them any sort of permanent opposition it will sink into something as base as a party system.
— A Miscellany of Men (1912).
“The subtlest”
The things which are the simplest so long as they are undisputed invariably become the subtlest when once they are disputed.
— A Miscellany of Men (1912).
“A common religion”
There was hugely more sense in the old people who said that a wife and husband ought to have the same religion than there is in all the contemporary gushing about sister souls and kindred spirits and auras of identical colour. As a matter of fact, the more the sexes are in violent contrast the less likely they are to be in violent collision. The more incompatible their tempers are the better. Obviously a wife’s soul cannot possibly be a sister soul. It is very seldom so much as a first cousin. There are very few marriages of identical taste and temperament; they are generally unhappy. But to have the same fundamental theory, to think the same thing a virtue, whether you practise or neglect it, to think the same thing a sin, whether you punish or pardon or laugh at it, in the last extremity to call the same thing duty and the same thing disgrace — this really is necessary to a tolerably happy marriage; and it is much better represented by a common religion than it is by affinities and auras.
— A Miscellany of Men (1912).
“The battle-beauty of the Gothic”
I never saw what was the real point about Gothic till I came into the town of Lincoln, and saw it behind a row of furniture-vans.
I did not know they were furniture-vans; at the first glance and in the smoky distance I thought they were a row of cottages. A low stone wall cut off the wheels, and the vans were somewhat of the same colour as the yellowish clay or stone of the buildings around them. I had come across that interminable Eastern plain which is like the open sea, and all the more so because the one small hill and tower of Lincoln stands up in it like a light-house. I had climbed the sharp, crooked streets up to this ecclesiastical citadel; just in front of me was a flourishing and richly coloured kitchen garden; beyond that was the low stone wall; beyond that the row of vans that looked like houses; and beyond and above that, straight and swift and dark, light as a flight of birds, and terrible as the Tower of Babel, Lincoln Cathedral seemed to rise out of human sight.
As I looked at it I asked myself the questions that I have asked here; what was the soul in all those stones? They were varied, but it was not variety; they were solemn, but it was not solemnity; they were farcical, but it was not farce. What is it in them that thrills and soothes a man of our blood and history, that is not there in an Egyptian pyramid or an Indian temple or a Chinese pagoda? All of a sudden the vans I had mistaken for cottages began to move away to the left. In the start this gave to my eye and mind I really fancied that the Cathedral was moving towards the right. The two huge towers seemed to start striding across the plain like the two legs of some giant whose body was covered with the clouds. Then I saw what it was.
The truth about Gothic is, first, that it is alive, and second, that it is on the march. It is the Church Militant; it is the only fighting architecture. All its spires are spears at rest; and all its stones are stones asleep in a catapult. In that instant of illusion, I could hear the arches clash like swords as they crossed each other. The mighty and numberless columns seemed to go swinging by like the huge feet of imperial elephants. The graven foliage wreathed and blew like banners going into battle; the silence was deafening with ail the mingled noises of a military march; the great bell shook down, as the organ shook up its thunder. The thirsty-throated gargoyles shouted like trumpets from all the roofs and pinnacles as they passed; and from the lectern in the core of the cathedral the eagle of the awful evangelist clashed his wings of brass.
And amid all the noises I seemed to hear the voice of a man shouting in the midst like one ordering regiments hither and thither in the fight; the voice of the great half-military master-builder; the architect of spears. I could almost fancy he wore armour while he made that church; and I knew indeed that, under a scriptural figure, he had borne in either hand the trowel and the sword.
I could imagine for the moment that the whole of that house of life had marched out of the sacred East, alive and interlocked, like an army. Some Eastern nomad had found it solid and silent in the red circle of the desert. He had slept by it as by a world-forgotten pyramid; and been woke at midnight by the wings of stone and brass, the tramping of the tall pillars, the trumpets of the waterspouts. On such a night every snake or sea-beast must have turned and twisted in every crypt or corner of the architecture. And the fiercely coloured saints marching eternally in the flamboyant windows would have carried their glorioles like torches across dark lands and distant seas; till the whole mountain of music and darkness and lights descended roaring on the lonely Lincoln hill. So for some hundred and sixty seconds I saw the battle-beauty of the Gothic; then the last furniture-van shifted itself away; and I saw only a church tower in a quiet English town, round which the English birds were floating.
— A Miscellany of Men (1912).
G.K. Weekly 