“Some obscene insanity”

I do not believe there is any harm whatever in reading about murders; rather, if anything, good; for the thought of death operates very powerfully with the poor in the creation of brotherhood and a sense of human dignity. I do not believe there is a pennyworth of harm in the police news, as such. Even divorce news, though contemptible enough, can really in most cases be left to the discretion of grown people; and how far children get hold of such things is a problem for the home and not for the nation.

But there is a certain class of evils which a healthy man or woman can actually go through life without knowing anything about at all. These, I say, should be stamped and blackened out of every newspaper with the thickest black of the Russian censor. Such cases should either be always tried in camera or reporting them should be a punishable offence.

The common weakness of Nature and the sins that flesh is heir to we can leave people to find in newspapers. Men can safely see in the papers what they have already seen in the streets. They may safely find in their journals what they have already found in themselves. But we do not want the imaginations of rational and decent people clouded with the horrors of some obscene insanity which has no more to do with human life than the man in Bedlam who thinks he is a chicken. And, if this vile matter is admitted, let it be simply with a mention of the Latin or legal name of the crime, and with no details whatever.

As it is, exactly the reverse is true. Papers are permitted to terrify and darken the fancy of the young with innumerable details, but not permitted to state in clean legal language what the thing is about. They are allowed to give any fact about the thing except the fact that it is a sin.

— All Things Considered (1908).

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On Godfrey of Bouillon

It is a tag of the materialists that the truth about history rubs away the romance of history. It is dear to the modern mind because it is depressing; but it does not happen to be true. Nothing emerges more clearly from a study that is truly realistic, than the curious fact that romantic people were really romantic. It is rather the historical novels that will lead a modern man vaguely to expect to find the leader of the new knights, Godfrey de Bouillon, to have been merely a brutal baron. The historical facts are all in favour of his having been much more like a knight of the Round Table. In fact he was a far better man than most of the knights of the Round Table, in whose characters the fabulist, knowing that he was writing a fable, was tactful enough to introduce a larger admixture of vice. Truth is not only stranger than fiction, but often saintlier than fiction. For truth is real, while fiction is bound to be realistic. Curiously enough Godfrey seems to have been heroic even in those admirable accidents which are generally and perhaps rightly regarded as the trappings of fiction. Thus he was of heroic stature, a handsome red-bearded man of great personal strength and daring; and he was himself the first man over the wall of Jerusalem, like any boy hero in a boy’s adventure story. But he was also, the realist will be surprised to hear, a perfectly honest man, and a perfectly genuine practiser of the theoretical magnanimity of knighthood. Everything about him suggests it; from his first conversion from the imperial to the papal (and popular) cause, to his great refusal of the kinghood of the city he had taken; “I will not wear a crown of gold where my Master wore a crown of thorns.” He was a just ruler, and the laws he made were full of the plainest public spirit.

But even if we dismiss all that was written of him by Christian chroniclers because they might be his friends (which would be a pathetic and exaggerated compliment to the harmonious unity of Crusaders and of Christians) he would still remain sufficiently assoiled and crowned with the words of his enemies. For a Saracen chronicler wrote of him, with a fine simplicity, that if all truth and honour had otherwise withered off the earth, there would still remain enough of them so long as Duke Godfrey was alive.

— The New Jerusalem (1920).

“Wild and full of marvels”

The view that fairy tales cannot really have happened, though crazy, is common. The man I speak of disbelieved in fairy tales in an even more amazing and perverted sense. He actually thought that fairy tales ought not to be told to children. That is (like a belief in slavery or annexation) one of those intellectual errors which lie very near to ordinary mortal sins. There are some refusals which, though they may be done what is called conscientiously, yet carry so much of their whole horror in the very act of them, that a man must in doing them not only harden but slightly corrupt his heart…

… Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is—what will a healthy man do with a fantastic world? The problem of the modern novel is—what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. In the excellent tale of “The Dragon’s Grandmother,” in all the other tales of Grimm, it is assumed that the young man setting out on his travels will have all substantial truths in him; that he will be brave, full of faith, reasonable, that he will respect his parents, keep his word, rescue one kind of people, defy another kind, ‘parcere subjectis et debellare,’ etc. Then, having assumed this centre of sanity, the writer entertains himself by fancying what would happen if the whole world went mad all round it, if the sun turned green and the moon blue, if horses had six legs and giants had two heads. But your modern literature takes insanity as its centre. Therefore, it loses the interest even of insanity.

A lunatic is not startling to himself, because he is quite serious; that is what makes him a lunatic. A man who thinks he is a piece of glass is to himself as dull as a piece of glass. A man who thinks he is a chicken is to himself as common as a chicken. It is only sanity that can see even a wild poetry in insanity. Therefore, these wise old tales made the hero ordinary and the tale extraordinary.

— Tremendous Trifles (1909).

On Thomas More

Thomas More, who seemed sometimes like an Epicurean under Augustus, died the death of a saint under Diocletian. He died gloriously jesting; and the death has naturally drawn out for us rather the sacred savours of his soul; his tenderness and his trust in the truth of God. But for Humanism it must have seemed a monstrous sacrifice; it was somehow as if Montaigne were a martyr. And that is indeed the note; something truly to be called unnatural had already entered the naturalism of the Renascence; and the soul of the great Christian rose against it. He pointed to the sun, saying “I shall be above that fellow” with Franciscan familiarity, which can love nature because it will not worship her. So he left to his king the sun, which for so many weary days and years was to go down only on his wrath.

— A Short History of England (1917).