New York considered in itself is primarily a place of unrest, and those who sincerely love it, as many do, love it for the romance of its restlessness. A man almost looks at a building as he passes to wonder whether it will be there when he comes back from his walk; and the doubt is part of an indescribable notion, as of a white nightmare of daylight, which is increased by the very numbering of the streets, with its tangle of numerals which at first makes an English head reel. The detail is merely a symbol; and when he is used to it he can see that it is, like the most humdrum human customs, both worse and better than his own. ‘271 West 52nd Street’ is the easiest of all addresses to find, but the hardest of all addresses to remember. He who is, like myself, so constituted as necessarily to lose any piece of paper he has particular reason to preserve, will find himself wishing the place were called ‘Pine Crest’ or ‘Heather Crag’ like any unobtrusive villa in Streatham.
But his sense of some sort of incalculable calculations, as of the vision of a mad mathematician, is rooted in a more real impression. His first feeling that his head is turning round is due to something really dizzy in the movement of a life that turns dizzily like a wheel. If there be in the modern mind something paradoxical that can find peace in change, it is here that it has indeed built its habitation or rather is still building and unbuilding it. One might fancy that it changes in everything and that nothing endures but its invisible name; and even its name, as I have said, seems to make a boast of novelty.
— What I Saw In America (1921).